![]() The jokes, delivered perfectly with the right amount of pause and emphasis, often have the audience roaring with laughter. One of the play’s greatest strengths is its ability to showcase a wide variety of emotions by including several humorous and childish moments along with the somber, serious, and sad ones. The non-linear timeline allows for contrasting scenes to be pitted right up against each other, enabling the audience to see many sides of the complicated narrative. Moreover, it does a wonderful job of reshuffling the most important moments of the novel into a well-paced sequence that highlights the main tensions of respect, innocence, and racial injustice, all the while showcasing the nuances of these issues. The play puts an interesting spin on the source material - the scenes jump around from place to place in a non-linear fashion, often returning to the courthouse. The adaptation manages to capture the very essence of the novel and it skillfully grapples with the age-old question: Who deserves to be treated with respect? Based on Harper Lee’s 1960 novel of the same name, the play tells the story of the trial and highlights the lives of the defense attorney Atticus Finch (Richard Thomas) and his children, Jim (Justin Mark) and Scout (Melanie Moore). The show, after debuting this past November on Broadway, is now embarking on its first national tour. So begins “To Kill a Mockingbird,” which runs from April 5 to 17 at the Citizens Bank Opera House. He faces a jury of entirely white peers and will face the electric chair if convicted. Welch) is on trial for a crime he did not commit. ![]() It’s 1934 in Alabama, and a Black man named Tom Robinson (Yaegel T.
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